Dates & times
All times are local to the venue · America/Chicago
- Wednesdays10:00 AM – 5:00 PMOngoing weekly schedule
- Thursdays10:00 AM – 8:00 PMOngoing weekly schedule
- Friday, Saturday · weekly10:00 AM – 5:00 PMOngoing weekly schedule
- Sundays12:00 PM – 5:00 PMOngoing weekly schedule
Landscape Painting at OKCMOA: From Wilderness to Imagined Places
In Landscape Painting, a view of nature is also a set of artistic choices: a painter can present it as wilderness, a settled place, a picturesque escape or an imagined world. The installation at the Oklahoma City Museum of Art invites visitors to consider how subject and style shape those different kinds of landscapes.
Landscapes that are lived in—or invented
The installation draws on 19th- and 20th-century paintings of America and Europe. Its subjects range from forested and mountainous terrain to rural communities, villages and picturesque places away from cities; some works picture landscapes that exist only in the artist’s imagination.
That span offers a useful way to look beyond a painting’s setting. Compare what changes when the natural world is treated as wilderness, as a place where people live, or as an imagined scene.
Further reading: Landscape Painting | Oklahoma City Museum of Art | OKCMOAOKCMOA Oklahoma City Museum of Art ↗

Style changes the character of a place
The museum describes a range from the idealized naturalism associated with the Hudson River School to Fauvism’s expressive, boldly colored brushwork. Those approaches give visitors a way to compare not only what a landscape depicts, but how the painter’s handling changes its effect.
The event page’s image credits name Thomas Cole’s An Italian Autumn (detail), circa 1844–1847, an oil painting on canvas; Oscar Brousse Jacobson’s The Needles, Colorado Desert (detail), circa 1923, also oil on canvas; and Hans Hofmann’s Provincetown Number One (detail), from 1937, oil on board. These credits offer examples to look for, not a complete checklist of works on view.
Further reading: Landscape Painting | Oklahoma City Museum of Art | OKCMOAOKCMOA Oklahoma City Museum of Art ↗

Plan your visit
Weekly museum hours and installation status
The Landscape Painting event page describes the installation as ongoing and gives no end date. The museum’s current-exhibitions listing checked November 2, 2026, does not include it. If seeing this installation is your main reason for visiting, confirm it is still on view before setting out.
The museum is open Wednesday 10 a.m.–5 p.m., Thursday 10 a.m.–8 p.m., Friday and Saturday 10 a.m.–5 p.m., and Sunday noon–5 p.m. It is closed Monday and Tuesday, as well as on Independence Day, Thanksgiving, Christmas Day and New Year’s Day.
Landscape Painting | Oklahoma City Museum of Art | OKCMOAOKCMOA Oklahoma City Museum of Art ↗ · Visit | Oklahoma City Museum of ArtOKCMOA Oklahoma City Museum of Art ↗ · Current Art Exhibitions | Oklahoma City Museum of ArtOKCMOA Oklahoma City Museum of Art ↗
General museum admission
The installation page says admission is free for members. The museum lists general admission at $19.95 plus tax for adults; $17.95 plus tax for seniors 62 and older; and $12.95 plus tax for college students, active-duty military and retired military. Children 17 and under are admitted free. The museum does not list a separate price for this installation.
No advance reservation is required; walk-up tickets are available at the admissions desk. Free-admission options include Access for All, for visitors of any age on the second Sunday of each month in 2027; Museums on Us, for one free general admission on the first full weekend of each month for visitors presenting a valid photo ID and an eligible physical or digital debit or credit card branded Bank of America, Merrill or Bank of America Private Bank; and Blue Star Museums, for active-duty military, including National Guard and Reserve, and their families from Armed Forces Day through Labor Day.
Landscape Painting | Oklahoma City Museum of Art | OKCMOAOKCMOA Oklahoma City Museum of Art ↗ · Visit | Oklahoma City Museum of ArtOKCMOA Oklahoma City Museum of Art ↗ · Visiting FAQ | Plan Your Visit to OKCMOAOKCMOA Oklahoma City Museum of Art ↗
Getting to OKCMOA
Museum address and streetcar
Landscape Painting is at the Oklahoma City Museum of Art, 415 Couch Drive, Oklahoma City, OK 73102. The OKC Streetcar’s Library stop is across the street from the museum. The map link can calculate directions from your starting point.
Visit | Oklahoma City Museum of ArtOKCMOA Oklahoma City Museum of Art ↗ · Visiting FAQ | Plan Your Visit to OKCMOAOKCMOA Oklahoma City Museum of Art ↗
Parking
The museum parking lot is directly north of the building, at the northwest corner of Hudson and Robert S. Kerr. The museum lists weekday rates through 6 p.m. of $6 for 30 minutes, $9 for one hour, $13 for two hours and $17 for eight hours. From Friday at 6 p.m. through Sunday, listed rates are $6 for two hours, $8 for four hours and $13 for eight hours. Rates may change based on events.
Visit | Oklahoma City Museum of ArtOKCMOA Oklahoma City Museum of Art ↗
Before you make a plan
Is Landscape Painting separately ticketed?
The museum does not list a separate installation fee. Its general admission applies; members and children 17 and under are admitted free.
Landscape Painting | Oklahoma City Museum of Art | OKCMOAOKCMOA Oklahoma City Museum of Art ↗ · Visit | Oklahoma City Museum of ArtOKCMOA Oklahoma City Museum of Art ↗
Do I need to book a ticket in advance?
No. The museum says advance reservations are not required and walk-up tickets are available at the admissions desk.
Visiting FAQ | Plan Your Visit to OKCMOAOKCMOA Oklahoma City Museum of Art ↗
Does the event page list every painting in the installation?
No. It credits three works, but does not provide a complete checklist of what is on view.
Landscape Painting | Oklahoma City Museum of Art | OKCMOAOKCMOA Oklahoma City Museum of Art ↗
Location & Google Maps
Oklahoma City Museum of Art
415 Couch Drive, Oklahoma City, OK 73102
Map search by venue and address. Check the organiser’s entrance details before travelling.
